Showing results by author "Michel de Montaigne" in All Categories

“A faithful translation is rare; a translation which preserves intact the original text is very rare; a perfect translation of Montaigne appears impossible. Yet Donald Frame has realized this feat. One does not seem to be reading a translation, so smooth and easy is the style; at each moment, one seems to be listening to Montaigne himself - the freshness of his ideas, the unexpected choice of words. Frame has kept everything.” (Andre Maurois, The New York Times Book Review)

Michel Eyquem de Montaigne is one of the most influential writers of the French Renaissance, known for popularising the essay as a literary genre and is popularly thought of as the father of Modern Skepticism. He became famous for his effortless ability to merge serious intellectual speculation with casual anecdotes and autobiography—and his massive volume Essais (translated literally as "Attempts") contains, to this day, some of the most widely influential essays ever written. (Summary extracted from Wikipedia)

Michel Eyquem de Montaigne is one of the most influential writers of the French Renaissance, known for popularising the essay as a literary genre. He is also known as the father of Modern Skepticism. His pieces became famous for his apparent effortless ability to merge serious intellectual speculation with casual anecdotes and autobiography. His main work, Essais (translated literally as "Attempts" but traditionally as "Essays"), contains some of the still most widely influential essays ever written. This is the second volume of that important work. (Summary adapted from the Wikipedia by Leni)

Michel Eyquem de Montaigne is one of the most influential writers of the French Renaissance, known for popularising the essay as a literary genre. He is also known as the father of Modern Skepticism. His pieces became famous for his apparent effortless ability to merge serious intellectual speculation with casual anecdotes and autobiography. His main work, Essais (translated literally as "Attempts" but traditionally as "Essays"), contains some of the still most widely influential essays ever written. This is the third volume of that important work. (Summary adapted from the Wikipedia by Leni)

This beautifully curated anthology draws on major historical figures including Emerson, Thoreau, Carlyle, Oliver Goldsmith, Dr. Samuel Johnson, Francis Bacon, Montaigne, and Aristotle. The pieces range across themes such as the sentiment of friendship, its pleasures, and the art of choosing...

Here, in this unusual collection, are some of the greatest essays in Western literature. Witty, informative and imaginative, the topics vary from starvation in Ireland, fine China, the extension of railways in the Lake District, and the tombs in Westminster Abbey. A little like after-dinner monologues, they are passing thoughts expressed as journalism. Neville Jason reads with urbane clarity.

To overcome a crisis of melancholy after the death of his father, Montaigne withdrew to his country estates and began to write, and in the highly original essays that resulted he discussed themes such as fathers and children, conscience and cowardice, coaches and cannibals, and, above all, himself.

In 1572, Montaigne - nobleman, humanist, and thoroughly Renaissance man - retired to the seclusion of his estate in the Dordogne and started to write. From his pen poured a stream of "essays" - attempts to capture the observations that came to him on an idiosyncratic range of subjects, from ancient customs, cannibals, and books to thumbs, war-horses, and the wearing of clothes. He made the study of himself the starting point for investigations into how to live, and wrote with a startlingly modern candor about love, grief, friendship, sex, and death.

Michel de Montaigne was a contemporary of Shakespeare who, after having played his part in France's terrible wars of religion, retired to his estates and decided to write about what he knew best--himself. And so in his likes and dislikes, his reflections on history, his loves and his travels, he brought to life, not just one man, but all human experience. "What do I know?" he asked. If not himself and his own soul, then nothing else.

Montaigne might well be one of the most sympathetic writers ever known. He is known for popularizing the essay as a literary genre; his style merges casual anecdotes and autobiography with deep intellectual insights. His "Essays" are among the most influential ever written; one can recognize Montaigne's direct influence on great literary figures all over the world, from René Descartes to Nietzsche, Isaac Asimov, and possibly William Shakespeare.

Les livres II et III des Essais de Montaigne de la présente édition sonore sont une sélection d'écrits dont les thèmes trouvent écho aux questions contemporaines.

Selbsterkenntnis ist der erste Schritt zur Weisheit auf Wegen des Zweifels, der Irrtümer, des Staunens und der Überraschungen. Unterwegs auf diesem Weg begegnen wir uns selbst. Als Wegbegleiter hören wir: "Was ist Aufklärung?" (I. Kant), "Essais"(M. de Montagne), "Von der Gemütsruhe" (Seneca), "Über Wahrheit und Lüge im außenmoralischen Sinn" (F. Nietzsche), "Gespräche" (Konfuzius).

Michel de Montaigne, one of the foremost writers of the French Renaissance and the originator of the genre of the essay, wrote on subjects ranging from friendship to imagination, from language to conscience. This collection includes 22 of Montaigne's essays, including "Of Prognostications," "Of the Custom of Wearing Clothes," "Of Pedantry," and "Of Friendship."

Montaigne podría ser uno de los escritores más simpáticos que se hayan conocido. Es conocido por popularizar el ensayo como género literario; su estilo combina anécdotas casuales y autobiográficas con profundos conocimientos intelectuales. Sus ensayos se encuentran entre los más influyentes jamás escritos; se puede reconocer la influencia directa de Montaigne en las grandes figuras literarias de todo el mundo, desde René Descartes a Nietzsche, Isaac Asimov, y posiblemente William Shakespeare.

Mit seinem Hauptwerk, den "Essais", begründete der Jurist, Politiker und Philosoph Michel de Montaigne im letzten Drittel des 16. Jahrhunderts die Kunst der Essayistik. In seinen Abhandlungen zu so unterschiedlichen Themen wie Eitelkeit, Kindererziehung und Kannibalismus setzte er sich kritisch, assoziativ und stets auf persönliche Erfahrungen zurückgreifend mit dem zwischenmenschlichen Zusammenleben seiner Zeit auseinander.

French philosophy has been led on by three most influent thinkers, each one bordering on literature and bringing new understandings to politics, philosophy, and religion. Michel de Montaigne is known for popularizing the essay as a literary genre; his style merges casual anecdotes and autobiography with deep intellectual insights. His "Essays" are among the most influential ever written; one can recognize Montaigne's direct influence on great literary figures all over the world.

One of the most remarkable figures of the Renaissance, Michel de Montaigne was a brilliant French philosopher and statesman whose work directly influenced René Descartes, Friedrich Nietzsche, Isaac Asimov and Jean-Jacques Rousseau. He was a humanist and a sceptic, with an insatiable and wide-ranging curiosity. In 1571, on his 38th birthday, he withdrew from public life and retired to the library in his castle tower, where he assembled a body of work that is still highly relevant today.

"C'est ici un livre de bonne foi, lecteur. Il t'avertit dès l'entrée que je ne me suis proposé aucune fin, que domestique et privée. Je n'y ai eu aucune considération de ton service ni de ma gloire." Montaigne

Les essais de Montaigne de la présente édition sonore sont une sélection d'écrits dont les thèmes trouvent écho aux questions contemporaines. Texte fondateur de la pensée intellectuelle française, ces essais ont fait l'objet d'un travail de réécriture pour l'oralité par Olivier Cohen et devaient être interprétés par un grand comédien français. Michel Piccoli a accepté le défi de cette performance sonore.

Michel de Montaigne, der diese Selbsteinschätzung vornimmt, tat dies nicht aus Koketterie. Denn ihn kümmert weniger die Erkenntnis der Dinge als vielmehr die Erkenntnis seiner selbst. Statt systematisch über ein Thema zu meditieren – wie man es von einem Philosophen erwarten darf –, nimmt Montaigne einen Gegenstand zum Ausgangspunkt einer denkerischen Reise, von der er selbst nicht genau weiß, wohin sie ihn führt. Sein Gegenstand ist er selbst, in dem sich alle anderen Gegenstände spiegeln.