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Shakespeare's position as England's national poet is established and unquestionable. But as James Shapiro illuminates in this revelatory new history, Shakespeare has long held an essential place in American culture. Why, though, would a proudly independent republic embrace England's greatest writer? Especially when his works enact so many of America's darkest nightmares: interracial marriage, cross-dressing, same-sex love, tyranny, and assassination?

As part of President Franklin D. Roosevelt's progressive New Deal, the Work Progress Administration is created to support unemployed workers, including writers, artists, musicians and actors. The Federal Theatre Project, a major part of that programme, begins to stage critically acclaimed, subsidised and groundbreaking productions across America. From one of the world's great storytellers, The Playbook is an invigorating re-enactment of a terrifyingly prescient moment in twentieth-century American cultural history.

James Gleick, the author of the best sellers Chaos and Genius, now brings us a work just as astonishing and masterly: a revelatory chronicle and meditation that shows how information has become the modern era’s defining quality—the blood, the fuel, the vital principle of our world. The...

One of the New York Times 10 Best Books of the Year A National Book Critics Circle Award Finalist A New York Times Notable Book A timely exploration of what Shakespeare’s plays reveal about our divided land. “In this sprightly and enthralling book . . . Shapiro amply demonstrates...

One of The Smithsonian's Ten Best History Books of the Year A brilliant and daring account of a culture war over the place of theater in American democracy in the 1930s, one that anticipates our current divide, by the acclaimed Shakespeare scholar James Shapiro From 1935 to 1939, the Federal...