Showing results by narrator "David Timson" in All Categories

Pagliacci may be the most completely compelling short opera in the repertory and owes much of its impact to a brilliant story based, it is said, on true life and told through the device of a play-within-a-play. The action is set in Calabria in the deep south of Italy where the jealousies and illicit passions of a troupe of strolling actors precisely intersect with the play they are performing - to both touching and tragic effect.

'A lyrical, fascinating, important book. More than just a family story, it is an essay on belonging, denying, pretending, self-deception and, at least for the main characters, survival.' Literary Review 'Simon May's remarkable How to Be a Refugee is a memoir of family secrets with a ruminative...

Cavalleria rusticana is the short opera that has all the elements of a grand opera compressed into a single highly dramatic time span. The story of love, lust, blood-feud, and betrayal played out against the pageantry of the Easter celebrations in a Sicilian village delivers an emotional wallop because of the youthful vigor and musical wealth of its great score which includes the glorious "Easter Hymn" and the deeply moving "Intermezzo". Mascagni was never to repeat his youthful success but this brief work is enough to ensure his immortality.

Monteverdi’s Orfeo, first performed in 1607, generates a special excitement because it is the first unquestioned masterpiece of opera. Notable for its precise orchestration and powerful drama it was a groundbreaking work. It concerns the legend of Orpheus, the demigod whose music had the power to conquer the forces of Hell and to bring his wife back, briefly, to life. The extracts used in this introduction are from Naxos’ full recording; it uses authentic period instruments, which serve to evoke the early Baroque period of the opera’s composition.

Many writers used Christmas as a backdrop for their stories - among them none other than Sir Arthur Conan Doyle. This delightful Sherlock Holmesstory is one of the first that he authored, appearing in The Adventures of Sherlock Holmes. It is, fittingly, a wild goose chase through London!

An exciting and entertaining listen for fans of detective fiction, The Hollow Needle features the popular character Arsène Lupin, gentleman-burglar and master of disguise. Intrigued by a legend concerning a hollow needle that supposedly holds a secret connected to the French monarchy–a secret that could potentially change the course of history–Lupin embarks on a quest to find the needle and unravel its mystery.

Comprising 10 short stories, The Confessions of Arsène Lupin first appeared in 1913. Each story features the eponymous gentleman-burglar, who deploys his remarkable wit and skill to plot a path through aristocratic society, outwitting both police and criminals along the way. This collection contains tales of romance and mystery, with Lupin himself never above performing the occasional good deed, while pocketing his own rewards, in the course of his adventures.

La sonnambula was written by Bellini as a vehicle for two of the supreme singers of his age and accordingly is a fine example of the school we call bel canto, where beauty of voice and the virtuosity of the singers is integral to conveying the emotions in the soul of the composer. The fact that Bellini was one of the great melodists, writing long, beautiful vocal lines, that he was a master orchestrator and that he could write stirringly for the chorus all conspire to make La sonnambula extremely enjoyable.

Verdi’s Falstaff repays careful study with real pleasure. It is opera’s happiest irony that the great Italian master should cap a career - distinguished for its blood-and-thunder tragic masterpieces - with the greatest comic opera in the Italian repertory. The genius of Shakespeare is harnessed (in a miracle of compression) by master-librettist Boito to give the 80-year-old Verdi a superb libretto, on which he lavished more wonderful tunes than most composers manage in a lifetime.

This is a story from the The Adventures of Sherlock Holmes I collection.

Here are the favorites from Lewis Carroll, Jonathan Swift, William Shakespeare, and more. And that is not to forget perhaps the greatest of them all: Anon. There are ballads, sonnets, proverbs, and nonsense verse. Poems to inform, divert, satirize, castigate and praise. A collection to make all listeners smile, laugh, remember and discover.

Massenet’s Werther combines a deeply tender story with music of beauty and eloquence. One act alone contains two of the greatest arias in the repertoire: the mezzo-soprano aria "Va! Laisse couler mes larmes" and the tenor’s "Pourquoi me rèveiller". In their sentimental power and melodic richness these arias encapsulate the qualities that account for the universal popularity of this great work.

This is a story from The Adventures of Sherlock Holmes VI collection. In "The Final Problem", perhaps the greatest of the short stories of Sherlock Holmes, the English detective encounters his most formidable rival, Professor Moriarty. 'The Napoleon of Crime' is how Holmes describes his adversary to his faithful companion, Dr Watson, as they move to the ultimate confrontation at the Reichenbach Falls.

The world's greatest gentleman thief is back, and this time he must summon all his brilliance and prowess to escape the clutches of his most worthy adversary: the master English Detective Sherlock Holmes! Assisted by his trusty companion Dr. Wilson, Holmes is called to Paris to investigate crimes believed to involve the legendary debonair rogue Lupin.

One evening, wealthy diamond merchant Rudolph Kesselbach is visited at the Palace Hotel by Arsène Lupin. The next day, Kesselbach is found dead from a gunshot wound, with Lupin’s card pinned to his shirt. The wanted Lupin is forced to use all his guile to outwit the gendarmerie and find the real murderer.

Die Fledermaus is one of the few operatic works to which the phrase "never a dull moment" can be truthfully applied. From the explosive opening of the famous overture - reminiscent of a volley of champagne corks - through the surging energy of the "Fledermaus Waltz" and the many comic numbers, of which the accelerando trio is the finest, up to such huge concerted numbers as the "Duidu" finale to Act II, this is an operetta which almost incarnates nostalgia. Thomson Smillie and David Timson infuse their exploration of Die Fledermaus with as much life as the operetta itself.

The Rubáiyát of Omar Khayyam, in the famous translation by Edward Fitzgerald, remains one of the most popular poems. Here, it forms the main work on the first half of this program, along with other shorter poems by other leading Persian and Indian figures, including Rumi, Sa'di, and Rabindranath Tagore.

Il Trovatore has been ruthlessly parodied. It is a tale of murder and mayhem, burned babies, roasted hags, would-be nuns, strolling minstrels, and bad baritones. And indeed the libretto does call for a willing suspension of disbelief. The reward is in the music, a score as prodigally melodic as only the mature Verdi could write: the "Anvil" chorus, the "Miserere" scene, two great tenor arias, a beautiful baritone aria - a richness without embarrassment.

This is a story from The Adventures of Sherlock Holmes IV collection. Four more stories from the master detective. The mystery of the missing suitor is solved and Sherlock Holmes raises his whip: an Indian pot stands in the shadows of a Colonel's death; serious affairs of state and international diplomacy are threatened by a theft; and surely evil intent lies behind threats in a hidden house. The cool observations and swift action of Mr. Sherlock Holmes resolves all.

Dating from the last decade of the 19th century, Pelléas et Mélisande points the way into the 20th century. The score is hauntingly beautiful, but there is more to the work than shifting panels of elusive, impressionistic sound. Debussy retains the text of Maeterlinck’s play, and the linguistic subtleties of the French text are matched perfectly by the musical detail. Taking a little time to explore the romantic, elusive world of this opera is particularly rewarding.