Showing titles in History & Criticism

A tell-all biography of the epic in-fighting of the Grateful Dead in the years following band leader Jerry Garcia's death in 1995 The Grateful Dead rose to greatness under the inspired leadership of guitarist Jerry Garcia, but the band very nearly died along with him after his sudden death in...

Elliott Smith was one of the most gifted songwriters of the nineties, adored by worshipful fans for his subtly melancholic words and melodies. Smith died violently in Los Angeles in 2003, under what some believe to be questionable circumstances, of a single fatal stab wound to the chest. In Torment Saint, William Todd Schultz gives us the first proper biography of the rock star, a decade after his death, imbued with affection, authority, sensitivity and long-awaited clarity. This book unravels the remaining mysteries of Smith's life and his shocking, too-early end.

Fleetwood Mac’s iconic album Rumours is more popular and acclaimed now than ever and attracts listeners across generations—Don’t Stop celebrates the album’s unlikely creation, surprising longevity, and enduring cultural impact. On January 1, 1975, struggling young singer-songwriter...

“Paul is dead.” It was the late 1960's, the Beatles hadn’t toured since 1966, and some truly bizarre indications began appearing, pointing to the unthinkable: Paul McCartney had been killed in a car accident and replaced by a look-alike. The Walrus Was Paul unearths every single clue from one of rock ’n’ roll’s most enduring puzzles and takes you on a magical mystery tour of baffling, yet fascinating, hints for solving this mystery.

No period in the history of rock music offered such an abrupt shift in prevailing tastes as the 1990s. While just a short while before, radio and MTV were clamoring for hair metal bands, suddenly alt-rockers such as Jane’s Addiction, Nine Inch Nails, Faith No More, Primus, Smashing Pumpkins, and of course, Nirvana, brought a sea change not just in what the most popular bands sounded like, but also in fashion, politics, and seemingly all aspects of pop culture.

Of all the white American pop music groups that hit the charts before the Beatles, only the Beach Boys continued to thrive throughout the British Invasion to survive into the 1970s and beyond. The Beach Boys helped define both sides of the era we broadly call the sixties, split between their early surf, car, and summer pop and their later hippie, counterculture, and ambitious rock.

In Black and Blur - the first volume in his sublime and compelling trilogy Consent Not to Be a Single Being - Fred Moten engages in a capacious consideration of the place and force of Blackness in African diaspora arts, politics, and life. In these interrelated essays, Moten attends to entanglement, the blurring of borders, and other practices that trouble notions of self-determination and sovereignty within political and aesthetic realms.  

In the '60s and '70s, America's music scene was marked by raucous excess, reflected in the tragic overdoses of young superstars such as Jimi Hendrix and Janis Joplin. At the same time, the uplifting harmonies and sunny lyrics that propelled Karen Carpenter and her brother, Richard, to international fame belied a different sort of tragedy - the underconsumption that led to Karen's death at age 32 from the effects of an eating disorder.

An intimate portrait of Handel’s life and inner circle, modeled after one of the composer’s favorite forms: the fugue. During his lifetime, the sounds of Handel’s music reached from court to theater, echoed in cathedrals, and filled crowded taverns, but the man himself - known to most as the composer of Messiah - is a bit of a mystery. Though he took meticulous care of his musical manuscripts and even provided for their preservation on his death, very little of an intimate nature survives.

 
In an extraordinary story unfolding across two hundred years, Kristina Gaddy uncovers the banjo's key role in Black spirituality, ritual, and rebellion. Through meticulous research in diaries, letters, archives, and art, she traces the banjo's beginnings from the seventeenth century, when enslaved people of African descent created it from gourds or calabashes and wood. 

From National Book Critics Circle Award-winning author Sam Quinones, the story of a demanding instrument, the determined people who play it, and the hope they offer a fractured nation.

Thunderclap Newman stunned the music world in the summer of 1969 with the success of their wonderfully odd debut single "Something In The Air", which ousted none other than the Beatles from the top of the charts. They followed up with an LP described by Nik Cohn as "one of the finest, most truly bizarre albums of the era" before disintegrating just a few months after its release. This is the story of one of the most unlikely combos in popular music history, and of the four disparate characters who formed its core.

R.E.M.'s debut album, released in 1983, was so far removed from the prevailing trends of American popular music that it still sounds miraculous and out of time today. J. Niimi tells the story of the album's genesis—with fascinating input from Don Dixon and Mitch Easter. He also investigates Michael Stipe's hypnotic, mysterious lyrics, and makes the case for Murmur as a work of Southern Gothic art.

This Very Short Introduction, written with both humor and flair, begins with a sampling of music as human activity and then goes on to consider the slippery phenomenon of how music has become an object of thought. Covering not only Western and classical music, Cook touches on all types from rock to Indonesian music and beyond. Incorporating musical forms from every continent, Music will be enjoyable for beginner and expert alike. 

Sympathy for the Drummer: Why Charlie Watts Matters is both a gonzo rush - capturing the bristling energy of the Rolling Stones and the times in which they lived - and a wide-eyed reflection on why the Greatest Rock 'n' Roll Band in the World needed the world's greatest rock 'n' roll drummer. Across five decades, Rolling Stones drummer Charlie Watts has had the best seat in the house.

Factory Records has become the stuff of legend. The histories of the label have been told from many perspectives, from visual catalogues and memoirs to exhibitions. Yet no in-depth history has ever been told from the perspectives of the women who were integral to Factory's cultural significance. Told entirely in their voices, I Thought I Heard You Speak is an oral history that reveals the true cultural reach of the label and its staying power in the twenty-first century.

Brought to you by Penguin. Wonderfully engaging, expansive and ambitious, Sound Tracks tells the history of our relationship with music in sixty detective stories, each focusing on the discovery of a musical instrument - or its fragments - in archaeological digs around the world. Taking us from...

"So fremdartig und verzaubert klang diese Musik und ging mittenrein in mein verzweifeltes Hasenherz" In der Mitte der 1970er-Jahre sucht und findet eine Jugendliche Halt in der Musik einer der erfolgreichsten britischen Prog-Rock-Bands: Genesis. Es ist die Peter-Gabriel-Ära, der Susann Pásztor kenntnisreich und voller Humor ein leuchtendes literarisches Denkmal setzt. Im Januar 1974 touren Genesis mit ihrem aktuellen Album "Selling England By The Pound" durch Deutschland. Im Publikum: die dreizehnjährige Mimi, die ihr erstes Konzert nie vergessen wird, was nicht nur an der Musik liegt.

The tragic and inspiring story of the leaders of Outlaw country and their influence on today’s Alt-County and Americana superstars, tracing a path from Waylon Jennings’ survival on the Day the Music Died through to the Highwaymen and on to the current creative and commercial explosion of...

With an additional 30,000 words of compelling stories, research, and analysis, music journalist and In Defense of Ska podcast creator/host Aaron Carnes presents the case that ska never died, by jumping headfirst into ska's "lost years," i.e., the period after the 90s third-wave ska boom.