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‘Enlightening, moving’ SIR IAN MCKELLEN From the acclaimed and bestselling biographer Jonathan Bate, a luminous new exploration of Shakespeare and how his themes can untangle comedy and tragedy, learning and loving in our modern lives. ‘The web of our life is of a mingled yarn, good and...

Secret agent Richard Hannay travels across war-torn Europe in search of a German plot and an Islamic messiah. He is joined by three others: John S. Blenkiron, an American who is determined to battle the Kaiser; Peter Pienaar, an old Boer Scout; and the colorful Sandy Arbuthnot, who is modeled on Lawrence of Arabia. Their success or failure could change the outcome of the First World War.

This is a full-cast, unabridged performance with comprehensive commentary and analysis, enabling any student to fully understand and appreciate the play. Peel away the layers of Priestley's complex drama to appreciate his powerful warning, wrapped up in the genre of a gripping detective story, to truly understand that "We don't live alone. We are members of one body."

Short Stories in Swedish for Beginners has been made especially for students from beginner to low-intermediate level, designed to give a sense of achievement, a feeling of progress and most importantly - enjoyment! Mapped to A1-B1 on the Common European Framework of Reference, these eight captivating stories are designed to give you a sense of achievement and a feeling of progress when listening.

This enchanting collection of stories gathers together legends from across Scotland in one special volume. Drawn from The History Press' popular Folk Tales series, herein lies a treasure trove of tales from a wealth of talented storytellers. From the Spaeman's peculiar advice and a laird who is transformed into a frog, to a fugitive hiding in a dark cave and the stoor worm battling with Assipattle, this book celebrates the distinct character of Scotland's different customs, beliefs, and dialects, and is a treat for all who enjoy a well-told story.

In a Copenhagen park the body of an elderly woman is discovered. Though the case bears a striking resemblance to another unsolved homicide from over a decade ago, the police cannot find any connection between the two victims. Across town a group of young women are being hunted down. The attacks seem random, but could these brutal acts of violence be related? Detective Carl Mørck of Department Q is charged with solving the mystery.

Combined for great value! The multi award-winning SmartPass study guide with and without commentary options. This is a full-cast, unabridged performance with comprehensive commentary and analysis for any student to fully understand and appreciate the play. Peel away the layers of Priestley's complex drama to appreciate this powerful warning, wrapped up in the genre of a gripping detective story, and truly understand that "We don't live alone. We are members of one body."

Slowbridge's customs have been set in stone by Lady Theobald, who has decreed that young ladies should always wear white muslin to social events and that their only decoration should be fresh flowers - which invariably wilt by the end of the evening. Enter Octavia, bedecked in yards of lace and ribbons and with a profusion of diamond jewelry. She is soon informed that only married ladies wear diamonds in England. She makes other mistakes: Young ladies do not ask men to join them on terraces; they do not invite men to play croquet on their lawns.

When Cara stumbles across a stash of old postcards in the attic, their contents make her question everything she thought she knew. The story she pieces together is confusing and unsettling, and appears to have been patched over with lies. But who can tell her the truth? With her father sinking into Alzheimer’s and her brother reluctant to help, it seems Cara will never find the answers to her questions. One thing is clear, though: someone knows more than they’re letting on.

Laura Jesson is a happily married woman until a chance encounter in a train station café draws her to Dr Alec Harvey. Literally bumping into each other brings temptation, danger and guilt into their lives, and a doomed love affair ensues... A classic love story, 'Brief Encounter' was...

Throughout history, there's always been a perfectly good reason to start a war. Never more so if it is over a "strategic" piece of old rock in the middle of nowhere. It is, after all, every citizen's right to bear arms to defend what they consider to be their own. Even if it isn't. And in such pressing circumstances, you really shouldn't let small details like the absence of an army get in the way of a righteous fight with all the attendant benefits of out-and-out nationalism.

"Le pépiement matinal des oiseaux semblait insipide à Françoise. Chaque parole des 'bonnes' la faisait sursauter ; incommodée par tous leurs pas, elle s'interrogeait sur eux ; c'est que nous avions déménagé."

As the golden summer draws to a close and the Darcys look ahead to the end of their first year of marriage, Mr. Darcy could never have imagined that his love could grow even deeper with the passage of time. Elizabeth is unpredictable and lively, pulling Darcy out of his stern and serious demeanor with her teasing and temptation. Looking ahead and planning for celebrations and life events large and small, Lizzy can still catch Darcy unawares when he least expects it.

When novelist Manuel Ortigosa learns that his husband, Álvaro, has been killed in a car crash, it comes as a devastating shock. It won’t be the last. He’s now arrived in Galicia. It’s where Álvaro died. It’s where the case has already been quickly closed as a tragic accident. It’s also where Álvaro hid his secrets. The man to whom Manuel was married for fifteen years was not the unassuming man he knew.

A mythical man known as Nightmare haunted young children for years. Until he became real. DCI Harry McNeil knows the legend all too well. Growing up in the Highlands, Nightmare was on his and every other child's mind as they went to sleep. Then, Nightmare claimed his first victim. A young girl, found dead in an abandoned cemetery with the words, I am Nightmare, carved into her chest. Two more victims, the same words carved into them. Then Nightmare disappears. Now, years later, there have been reports of graffiti being sprayed around Inverness and on graves in old cemeteries.

Sir Ian McKellen, fresh from his performance as Gandalf in Lord of the Rings, is Prospero, and heads a strong cast in Shakespeare’s last great play. The wronged duke raises a tempest to shipwreck his old opponents on his island so that he can ensure justice is done. With Emilia Fox as Miranda, Scott Handy in the pivotal role of the sprite Ariel, and Ben Owukwe as Caliban.

The Kalevala provides a compelling insight into the myths and folklore of Finland. Compiled by Elias Lönnrot in the 19th century, this impressive volume follows a tradition of oral storytelling that goes back some 2000 years, and it is often compared to such epic poems as Homer's Odyssey. However, The Kalevala has little in common with the culture of its Nordic neighbors: It is primarily poetic, it is mythical rather than historic, and its heroes solve their problems with magic more often than violence.

Random House presents the audiobook edition of Shakespeare’s Sonnets, Retold by William Shakespeare and James Anthony, with a foreword by Stephen Fry. Read by Stephen Fry, Paapa Essiedu and the author. 'James Anthony has done something I would have confidently stated to be impossible. He has...

Magic and myth inhabit these chapters in figures both familiar and strange. Giant trolls and talking animals are everywhere. The winds take human form. A one-eyed old woman might seem reminiscent of the Norse god Odin. We meet sly aunts, resourceful princesses, and devious robbers. These stories, set in Norway's majestic landscape of towering mountains and dense forests, are filled with humor, mischief, and sometimes surprisingly cruel twists of fate. All are rendered in the deceptively simple narrative style perfected by Asbjørnsen and Moe.

Comme il y a une géométrie dans l'espace, il y a une psychologie dans le temps, où les calculs d'une psychologie plane ne seraient plus exacts parce qu'on n'y tiendrait pas compte du Temps et d'une des formes qu'il revêt, l'oubli.