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Team Deakins

Team Deakins

By: James Ellis Deakins Roger Deakins
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The Team Deakins Podcast features a series of casual conversation between Roger and James Deakins and filmmaker guests. The podcast focuses each guest's unique approach to their craft. Imagine eavesdropping on a dinner conversation between working professionals in the field. Because it is structured as a conversation and not an interview, it is informal and fun and can go in some unexpected directions!Dellis Productions, Inc 2020 Art
Episodes
  • DREW KUNIN - Production Sound Mixer
    Jun 3 2026

    SEASON 2 - EPISODE 196 Drew Kunin - Production Sound Mixer

    In this episode of the Team Deakins Podcast, we speak with production sound mixer Drew Kunin (DISCLOSURE DAY; HER; CROUCHING TIGER, HIDDEN DRAGON). Throughout the episode, Drew helps us understand how a production sound mixer might do his or her job in a number of different circumstances, drawing on experiences ranging from building a recording booth on wheels for HER to mixing CROUCHING TIGER phonetically using a pinyin script. Drew also describes the type of equipment he might use in certain situations, and he reflects on the changes in technology and in technique he's witnessed since he started his career. He later shares his approach to mixing tracks on set, and we discuss how his mixes can influence what happens in post. Drew also recounts his experience of being one of two Americans on the crew of CROUCHING TIGER in China, and he gives us a quick demonstration on the difference between Mandarin and Cantonese. We worked with Drew on THE GOLDFINCH and THE SECRET GARDEN, and we had a great time catching up with him.

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    This episode is sponsored by Aputure

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    1 hr and 18 mins
  • JAFAR PANAHI - Director
    May 27 2026

    SEASON 2 - EPISODE 195 Jafar Panahi - Director

    In this episode of the Team Deakins Podcast, we speak with director Jafar Panahi (IT WAS JUST AN ACCIDENT, NO BEARS, THE WHITE BALLOON). Growing up amidst poverty in Tehran, Jafar's love for cinema began in childhood and led him to enroll in the film program at university. Unsatisfied with his final student film, he destroyed it, but he reveals to us why and shares how his approach to directing every subsequent film changed for the better. Throughout the episode, we discuss how he actually makes his movies—both as a filmmaker and as a citizen contesting with censorship and an authoritarian government. We discuss the making of THE WHITE BALLOON and THE CIRCLE, and Jafar shares how he attempts to make the events in his films feel as if they really happened. We also learn how and why he brings in non-actors during the casting process, and he reveals how he and his crew try to avoid government raids. We also discuss the making of IT WAS JUST AN ACCIDENT, which features a return to a more traditional form of storytelling compared with Jafar's preceding films, and he reflects on his period of making films while being banned from filmmaking.

    Translation conducted by Sheida Dayani.

    This conversation was recorded on February 12, 2026.

    If you enjoyed this episode, we recommend listening to our conversation with director Mohammad Rasoulof (Season 2, Episode 121).

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    Recommended Viewing: THE WHITE BALLOON, THIS IS NOT A FILM, THE CIRCLE

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    This episode is sponsored by Aputure

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    1 hr and 6 mins
  • BUDDY SQUIRES - Cinematographer
    May 20 2026

    SEASON 2 - EPISODE 194 Buddy Squires - Cinematographer

    In this episode of the Team Deakins Podcast, we speak with cinematographer Buddy Squires (THE AMERICAN REVOLUTION, BEYOND THE BEACH: THE HELL AND THE HOPE, BASEBALL). Buddy has worked on countless documentaries, ranging from vérité to recreations, and we spend the episode discussing how he sees his work and what he tries to achieve while capturing images of events happening in real time. Buddy has also worked with director Ken Burns since they met in college, and he gives us insight into their lifelong collaboration and their approach to portraying history. Buddy also recalls the winding path he took to reach documentary filmmaking, and he reflects on the filmmakers, photographers, and films that inspired him the most at the time. Buddy later reflects on his experiences shooting the humanitarian work featured in BEYOND THE BEACH across the Middle East, and we ask him if he feels documentaries can make a difference. We also discuss how digital camera technology has made Buddy's job easier, and he shares his review of the drone footage from the 2026 Winter Olympics.

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    This episode is sponsored by Aputure

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    1 hr and 5 mins
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