This week on So Many Sequels, Golden Oldies Month continues with John Ford’s 1940 adaptation of The Grapes of Wrath.

Josh, Garrett and David dig into the film’s Dust Bowl-era Oklahoma roots, its connection to John Steinbeck’s landmark novel, and why a movie released more than 80 years ago still feels uncomfortably current in 2026.

We talk Henry Fonda’s Tom Joad, Jane Darwell’s Oscar-winning performance as Ma Joad, the film’s depiction of poverty and displacement, and the way its story exposes systems that keep working people desperate, divided and disposable. We also get into Oklahoma’s place in the story, the case for a modern remake, and why any new version better actually film in Oklahoma.

It’s a classic for a reason — and maybe a warning we still haven’t fully listened to.

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The Odd Couple debuted in 1968, making $44 million on a tiny $1.2 million budget and eventually spawning a five-season TV show. But watching it today, the most shocking part might be the opening scene: our introduction to a comedy about mismatched roommates is Felix wandering the streets, genuinely trying to figure out how to kill himself.Kicking off our "Golden Oldies" month with pre-1970s films on So Many Sequels, David, Josh, and Garrett break down the undeniable chemistry between Jack Lemmon and Walter Matthau. We discuss how the movie's theatrical blocking and long takes make modern comedies feel disconnected, analyze the excruciatingly funny Pigeon sisters double date, and realize that Felix is actually a deeply manipulative person to live with.Let us know what you think. Would you rather live with Oscar the slob, or Felix the neat freak? Go check that out at somanysequels.com, and follow us on Instagram at @SoManySequelsPod.somanysequels.com

Three of us saw Project Hail Mary separately. Different theaters, different formats, different weeks. Same reaction: this is the one.

We talk about what makes Ryan Gosling's performance land, why Rocky might be the best new alien character in years, and whether a film that made $80M opening weekend and barely dropped the following week has a real shot at next year's Oscars. Also: Stephen Colbert is making a Lord of the Rings movie. We have thoughts.

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This month we're deep in our Best Writing series at the Oscars, and Do the Right Thing is Exhibit A that the Academy has always gotten some of this wrong. We dig into why the film's lack of a traditional protagonist might be exactly what got it snubbed, what Spike Lee has actually said about why Mookie threw the trash can (and who keeps asking the wrong questions), and how Radio Raheem's love-and-hate monologue does more thematic work than most screenplays manage in two hours. The conversation talked all three of us from four-and-a-half stars up to five. First unanimous five-star episode of the year.If you've seen Do the Right Thing, we want to know where you landed — and if you haven't, this is the episode to listen to first. Find us at somanysequels.com, subscribe on Spotify or wherever you get podcasts, and follow us on Instagram at @somanysequelspod. Let us know what you think.

Josh, Garrett, and David sit down to digest the massive wins for Sinners and One Battle After Another. They unpack Ryan Coogler's masterful genre-blending, the jaw-dropping musical sequences in Sinners, and why waiting for the vampires to actually show up is the smartest thing the movie did. Then, they shift gears to PTA's chaotic, cross-country epic starring a buffoonish Leonardo DiCaprio, debating the film's wild pacing, stacked cast, and underlying themes. From glowing red eyes to hilarious critiques of "revolutionary" stoners, we're covering all the highs and lows.

What was your favorite movie of the year? Let us know! Be sure to follow the show, leave us a review, and connect with the guys on Instagram at @somanysequelspod or visit us at somanysequels.com.

In this episode of So Many Sequels, we react to the 2026 Academy Awards and everything that made the night feel just a little off. From the Sinners vs. One Battle After Another showdown to major wins like Michael B. Jordan, we unpack the biggest moments, snubs, and surprises. We also dive into Conan O’Brien’s hosting, pacing issues, and what the overall vibe says about the future of movies, streaming, and the Oscars themselves.

In 12 Angry Men, the entire story unfolds in a single jury room—but somehow it becomes one of the most gripping films ever written. This week, the So Many Sequels crew dives into Sidney Lumet’s 1957 courtroom classic and asks why this film continues to top “greatest movies ever” lists.

Josh, Garrett, and David break down the brilliance of its minimalist storytelling, from Henry Fonda’s calm but stubborn Juror #8 to the film’s exploration of bias, prejudice, and mob mentality. They also discuss the movie’s unusual production history, its Oscar nomination for Best Adapted Screenplay, and how a 90-minute conversation between twelve jurors manages to feel as tense as any blockbuster thriller. Plus: jury duty stories, the 1997 remake with Jack Lemmon and George C. Scott, and why this film still resonates decades later.

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How did two unknown actors from Boston write one of the most beloved screenplays in Hollywood history?

This week on So Many Sequels, Josh, Garrett, and David kick off their Best Screenplay Oscar Month with Good Will Hunting (1997)—the film that launched Matt Damon and Ben Affleck from aspiring writers to Academy Award winners. The guys break down the screenplay that shocked Hollywood, the legendary performances from Matt Damon and Robin Williams, and the moments that turned this indie drama into a cultural phenomenon. Along the way they debate whether the script truly deserves its reputation, which characters work best, and how the film balances raw dialogue with emotional storytelling.

Follow the show for more episodes this month as we explore Oscar-winning and nominated screenplays. If you enjoy the show, leave a review and connect with us online at SoManySequels.com.