Yann Martel didn’t think anybody would read Life of Pi when he first published it. 25 years later, his story of a teenage boy and a tiger adrift in the ocean still captivates readers, and Yann says his books are like his children — he loves them all equally. Yann’s new novel is called Son of Nobody. In the book, a Canadian scholar’s life changes when an Iliad-like epic poem is newly discovered. When he travels across the world to study it, he uncovers threads that are far more personal than expected. Son of Nobody is an exploration of identity, myth and class, and it’s a fresh take on a piece of literary history. This week Yann joins Mattea Roach to reflect on his past work, his interest in mythology and why humans should create, no matter what.

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When Mai Nguyen lost her daughter just days after she was born, writing about a similar character in a novel brought her comfort. Her new book, Cleo Dang Would Rather Be Dead, is a heartbreaking but humorous novel about a grieving mother who starts working at a funeral home. Cleo Dang’s world is shattered when she loses her newborn due to complications during labour. Drowning in grief and the discomfort of friends and family, she takes a job at a funeral home and comes to learn intimately about her own loss and what grief means for others. It’s a deeply personal story based on Mai’s own experiences, and despite the subject, she tells the story with levity and hope. This week, Mai tells Mattea Roach about her own grief journey, balancing sorrow and laughter and why she was wrong about funeral home employees.

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The “wolf hour” is a term for the deep-night period between roughly three and four in the morning. The world is quiet, your guard is down … and if you’re anything like the thriller writer Jo Nesbø, it’s the perfect time to put some of your darkest thoughts to the page. Wolf Hour is the latest of Jo’s gritty crime novels. It’s an immersive story about a troubled detective and a Norwegian journalist solving the same Minneapolis murder, six years apart. Like many of Jo’s books, it’s a “Nordic noir” thriller that explores what drives people to evil … and if there’s a monster in all of us. This week, Jo tells Mattea Roach about exploring humanity’s dark side, adapting his work for television and why all crime writing is political.

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