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SolidGoldMagikarp

A Descent into the AI Underworld

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SolidGoldMagikarp

By: Matthew Watkins
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When English mathematician Matthew Watkins went to San Francisco to study an early version of ChatGPT, he expected dry technical work. Instead, he uncovered a series of 'rare tokens' that made the system go haywire. Some produced gibberish. Others turned it hostile. One trigger word - petertodd - sent the machine into what looked like full-blown paranoia. Was it a simple bug? A trail of breadcrumbs left by whistleblowers? Or a glimpse into how AI really thinks?

The search for answers pulls Watkins into the secretive world of AI safety research. In this rapidly expanding domain, the line between science and belief blurs: billionaires play god while rogue chatbots win fortunes and groupies. What starts as a computer mystery becomes something much bigger: both a window into the eerie inner worlds of LLMs and a cryptic clue to what might be history's greatest power grab.

The system has since been patched. Even so, before the window closed, we saw inside for a brief moment - and what stared back at us was both stranger and more human than we might like to admit.©2026 Matthew Watkins (P)2026 Orion Publishing Group Limited
Computer Science Machine Theory & Artificial Intelligence Psychology Psychology & Mental Health
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Critic reviews

Top notch. Unfolding like a nerdy occult techno-thriller, Watkins tells the weird tale of how he discovered two ghosts in the LLM machine - 'glitch tokens' whose uncanny behavior makes it clear, at least, that AI will enchant as much as it will disrupt. The deets are important, and Watkins presents them with care and clarity. But equally valuable is his dry Gen X take on certain Bay Area-correlated pockets of the AI alignment scene whose cultural peculiarities continue to shape our visions of the technological future (ERIK DAVIS, author of HIGH WEIRDNESS)
Watkins was the sole witness to the weirdest - and perhaps most important - story in AI. His rigorous obsession with this mystery will become yours (CULLEN HOBACK, director of MONEY ELECTRIC)
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